Twelve Quilts of Christmas 2021 – #8

In the 1920’s and 1930’s programs were promoted through the Rural industry Bureau, to revive the craft of quiltmaking in Wales and north-east England. This program helped create markets for small quilted items, articles of quilted clothing and bed quilts, to help increase income in these economically depressed areas. The works were sold through galleries in London. Through the program, quilts were made for such important London hotels as The Dorchester, Grosvenor House and Claridges, and even quilted garments such as dressing robes were produced for the royal household.
The program required exacting standards, the patterns were more precisely drafted and the layouts more rigid and standardized. The goal was to increase the standard of work and it succeeded. Some of the most exquisite examples of quilting can be seen in quilts from this program. While there were fresh ideas introduced into old motifs and patterns, these newer designs lacked the originality and individuality of the quilts from previous era.
A combination of change in tastes and desires in the late 30’s and the second world war saw the end of the program and this quilting revival.
Be sure to click through to the museum website for more details.
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A quiltmaker, fabric designer, teacher, and speaker, Mary Elizabeth is also co-author of two best-selling books, “Small Blocks, Stunning Quilts” and “Small Pieces, Spectacular Quilts“. She has been a featured guest on The Quilt Show with Alex Anderson and Ricky Tims. And her work has been shown at international quilt shows and featured in many international quilting publications.
Mary Elizabeth believes in “Quilting With Abandon”, stretching traditional boundaries and creating quilts with a subtle salute to the past. She is enthusiastic about our quilting heritage and the lessons to be learned from the antique quilts she studies and collects. Her recent work examines the interpretation of traditional quilt designs through “gestured appliquéd lines” and the quilting stitch.
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That colour is so rich! And of course the extraordinary quilting leaves one in awe.
The museum’s picture has the fabric looking very shiny, like a satin. I wonder what that would be like to try and quilt! This quilt is stunning…..I hope the Bureau the maker well.
….’paid’ the maker well!