Baltimore Album Quilt, maker unknown, c. 1847, cotton, 122″ x 122″, from the collection of The American Museum in Britain.

If yesterday’s quilt was an example of visual simplicity, today’s is an example of visual abundance, and is considered a true Baltimore album quilt.  Fine and skilled needlewomen worked on this quilt. The appliqué is done with white thread that is barely visible!  Many of the fabrics were extremely expensive at the time, and most examples of Baltimore Album Quilts show little sign of wear or use, leading historians to posit that the were intended as extravagant gifts or showpieces.

I am blown away by the amount of reverse appliqué.  In the vine border the small leaves have small slits of red peaking through.  Second row down and second block in, the basket/vase is composed of unbelievably thin strips.  So many layers, so much to look at.  I have fallen into a state of wonder looking at it.  The undulating vine border resolves so beautifully and consistently around the corners and the stepped red triangles balance beautifully to the squares in the sashing (aren’t the “arrow squares” at the edges of the borders a neat element?!) and the whole composition.  Bound with a thin green binding, this quilt invites a cup of tea and a long study.  You will find plenty of close up pictures on the Museum’s website to inspire more awe!

If you could possibly pick a favourite block, which one would it be?