Simple repetition, expertly executed, defines this quilt, but it’s apparent simplicity belies its complexity that is at the root of its beauty.  I have always liked this quilt since I first saw it, and having the time to dive deeper into it, to present it to you, enlightens me as to why.

 

Let’s take a closer look at the rounds of borders, or frames, rippling out from the centre.  The alternating light and dark borders create a soothing rhythm as does the harmonious collection of fabrics used in each border.  The second border is comprised of medium value fabrics that differentiate themselves just ever so slightly from the first and third borders.  This use of value allows the rhythm to appear unbroken, while creating a more open lighter area for the centre area of interest to visually have room to breathe. The maker also skillfully used placement of colour in the second border to add visual interest and movement.  Notice that the sixth border is also just ever so slightly lighter than the other darker borders, again not breaking the rhythm but definitely surprising the eye with its subtle difference.  The final border with the blue triangles adds the bit of calm respite the quilt needs from the measure visual flow across the quilt, and helps to contain the design by the very nature of its difference from all the other colours in the quilt. That and the fact that the long edge of the blue triangles surround the outside edge of the quilt.

 

And finally, that centre star.  At first you might not perceive that the spikes of the star fall ever so slightly off the centre medallion background into the first border.  A tiny but not insignificant detail.  The star is appliquéd on thereby avoiding the need for piecing the star into the background, and attaching the star this way allows the encroachment, as if the energy of the star was too much for the centre of the quilt to contain.

 

Confirmed! I love this quilt even more now.